Though Deke Leonard had made his reputation playing progressive rock in the Welsh group Man, his first solo album has more of a roots rock feel than anything released by that band. Roots rock played by someone with a taste for odd arrangements, perhaps, but roots rock nevertheless. "Lisa” and “Jesse” both sound like something that the Band might have turned out, country fiddle, organ, and all, though Leonard’s distinctive, reedy voice makes it unlikely that anyone is actually going to mistake one for the other. Rockabilly comes in for some attention too, as in the delirious “Hard Way to Live,” a nutty high-octane track in which the already treble-voiced Leonard deliberately goes falsetto at the end of each verse to hilarious effect. At other points, Leonard channels Badfinger, as with the plaintive “Nothing Is Happening,” a lovely song with poetic, wistful lyrics. Leonard even tosses in a pair of cuts that would have fit in nicely on a Man album, “Broken Ovation” and “717151.” It’s no surprise that his old mates from Man dropped in for guest appearances on those cuts and a few others, the best of which is the odd but pleasant instrumental “The Ghost of Musket Flat.” There are a few throwaway tracks, a few experiments, but the general mood is one of low-key charm. Deke Leonard didn’t try to break a whole lot of stylistic ground on Iceberg, but what he did he did well, and it is probably his best solo album. allmusic.com……………
Deke Leonard is a Welsh musician serving a life sentence in the music business. After several unsuccessful escape attempts he is now resigned to his fate.
During the sixties, Deke served his apprenticeship in several successful rock'n'roll bands on the Welsh gig circuit, including the CORNCRACKERS, the JETS, the BLACKJACKS and the DREAM, who headlined the national press in 1967 with the headline ‘The Biggest Freak-Out To Hit South Wales’. There were occasional adventures abroad in the footsteps of The Beatles, notably residencies in the Top Ten Club in Hamburg - where bands cut the mustard playing up to 7 or 8 hours a day - and a tours of US Army bases in Europe.
In 1968 Deke joined Pye recording artists, THE BYSTANDERS, whose single releases included 98.6 and When Jesamine Goes. But the times were changing and the BYSTANDERS were changing with them. They changed the name of the band to MAN and renegotiated their deal with Pye Records from a singles deal to an album deal, and started seriously writing their own material. Deke, a compulsive songwriter, thought he’d gone to heaven. They released two albums on Pye, REVELATION and 2OZS OF PLASTIC (WITH A HOLE IN THE MIDDLE). They signed a new management deal with Marshall Arts and were soon touring Europe, so much so that they based themselves in Germany for a year.
At the start of the seventies, Marshall Arts negotiated a new record deal with United Artists and MAN entered a golden period. They made seven studio albums with UA, four of which charted, and two live albums, LIVE AT THE PADGETT ROOMS and XMAS AT THE PATTI featuring Dave Edmunds. Both topped the budget album charts and are now regarded as collectors items. Each album was promoted with British and European tours, and they found themselves working 364 days a year (Marshall Arts allowed them Christmas Day off).
After the second UA album Deke left the band and was immediately offered a solo deal with UA and went on to make two albums, ICEBERG and KAMIKAZE. Deke formed a band called ICEBERG and set off to promote them with British and European tours, and live radio performances on the John Peel session shows. During his absence MAN had recorded two albums, BE GOOD TO YOURSELF and BACK INTO THE FUTURE, both of which charted. Things were going well. But when things were going well, the MANBAND (a name by which they have become definitely known) usually broke up and they duly followed this pattern. Deke, abandoning his solo career, rejoined a reconstituted MANBAND giving Marshall Arts, who had continued to represent Deke, a collective nervous breakdown.
The next album, RHINOS, WINOS & LUNATICS went to number 12 in the British Album charts, and the band went off to the USA, doing three long tours, the first supporting HAWKWIND on the 'Space 1999 Tour’, and headlining the next two. During the second tour they met one of their heroes, John Cippolina from QUICKSILVER MESSENGER SERVICE and invited him to join the band for a British tour. He agreed and the resulting live album, MAXIMUM DARKNESS also charted. After his departure, the band broke up, reformed, signed a new record deal with MCA and recorded THE WELSH CONNECTION. As soon as it was released the band went out on tour in America and Europe to promote it.
But during this tour, cracks began to appear and Man headed for a final break up. They finally broke up during a Scandinavian Tour that followed the last American adventure. They did a farewell tour of Britain which resulted in the album, ALL’S WELL THAT ENDS WELL and a HTV documentary LIVE AT THE ROUNDHOUSE - now released on CD and DVD.
After the break-up, Deke stayed with United Artists and made BEFORE YOUR VERY EYES, a solo album produced by Martin Rushent, whose clients included the BUZZCOCKS and the HUMAN LEAGUE. Then corporate shenanigans intervened. EMI bought United Artists and the new regime delayed the album release. It was finally released five years later.
In the meantime, Deke formed THE FORCE with former DUCKS DELUXE frontman Sean Tyler and they released an album called, imaginatively, THE FORCE. Extensive touring followed during which Sean Tyler had a nervous breakdown and THE FORCE mutated into ICEBERG. Then, in 1983, Deke’s agent informed him of an offer he’d received for a European tour for MAN.
Would they be interested? Yes, they were. The new tour was booked and the next incarnation of MAN hit the road. The new line-up included MAN originals, Micky Jones and Martin Ace along with Deke, but did not include long-time drummer Terry Williams who had joined DIRE STRAITS. His replacement was ex-GENTLE GIANT drummer, John `Pugwash’ Weathers.
For the next twenty years the band toured extensively and continued to produce albums including THE TWANG DYNASTY, CALL DOWN THE MOON, and ENDANGERED SPECIES and most of the back-catalogue has now been re-released by Point Records. Further to a number of official bootleg albums are now on the shelves, several new compilation albums have been produced (including live concert material) by various companies including Sanctuary Records. DVDs include MAN LIVE and MAN AT THE ROUNDHOUSE and a live appearance on the latest rock compilation DVD THE LEGENDS OF ROCK. Throughout the 1980s Deke also became a journalist contributing regular articles and reviews for, amongst others, VOX MAGAZINE, NEW HI-FI SOUND and STUDIO WEEK. For the past 10 years Deke has written a regular monthly column 'Deke Speaks’ for the fanzine THE WELSH CONNECTION compiled and edited by his publisher, Michael Heatley (author of the Dec.2004 publication JOHN PEEL A LIFE IN MUSIC).
During the 1990s, Deke wrote two critically-acclaimed autobiographical books, RHINOS, WINOS, & LUNATICS (The legend of the MAN a Rock'n'Roll band) and MAYBE I SHOULD’VE STAYED IN BED? (The Flip Side Of The Rock'n'Roll Dream) both published by Michael Heatley of Northdown Publishing, author of the December 2004 publication JOHN PEEL, A LIFE IN MUSIC. Deke’s books reveal the quirky side of the rock'n'roll dream and provide a sideways glance at the social history of the last forty years. THE TIMES called them `hilarious and unputdownable’; TIME OUT (London) called them 'the quintessential rock'n'roll memoirs that’ll have you laughing out loud’; CLASSIC ROCK remarked 'This is a genuinely hilarious feast. Forget Spinal Tap. This is the real deal’ and MOJO observed 'Leonard writes up a storm. You will find these books irresistable’.
In 2003 The Fiction Factory, a film company, acquired the film rights to both books and a film is now in pre-production.
Occasional TV appearances include from the past THE OLD GREY WHISTLE TEST and BBC coverage of festivals such as READING and GLASTONBURY and a host of European shows. Deke has more recently appeared as a panellist on HTV’s PUB ROCK QUIZ and guest commentator on BBC 1’s JUKE BOX HEROES and BBC1’s WALES IN OUT TIME with JOHN HUMPHRYS. Past radio shows include five live JOHN PEEL SESSIONS and Deke is now a regular on BBC Radio Wales, most recently presenting a programme of rock'n'roll anecdotes called TALES OF THE ROAD; as a guest narrator on DRAGONS BREATH (a history of welsh rock music) and assuming the mantle of team captain on the musican quiz series ROCK OF AGES with guest panellists Trevor Burton of THE MOVE; Reg Presley from THE TROGGS and Mike D'Abo.
Recently, Steve Elsdon, a promoter and friend, suggested he try a one-man show, telling rock'n'roll stories and singing songs. The first show was at the new DYLAN THOMAS CENTRE THEATRE in Swansea. It was a great success and Deke loved every minute of it. Other shows have followed in London and nationally. Deke now sees himself as a cross between Bo Diddley and Peter Ustinov. A tour of one-man shows is now planned and this biography is intended to whet your appetite in the hope that you will be encouraged to participate.
In 2004, Deke left the band to follow his own star. The split was amicable but Deke thinks the band were secretly glad to get rid of him. “Well,” he says, “given half a chance I’d get rid of me.”
Deke Leonard’s one-man shows are an hilarious journey, illustrated with songs, around the flip side of the rock'n'roll dream. It is designed to appeal to both those familiar with Deke’s career, and newcomers alike. As RECORD BUYER remarked “It is social history, rock'n'roll and essential’.
During 2004 Deke also went back into the studio to record his first solo album for a quarter of a century entitled FREEDOM AND CHAINS, a compilation of new songs recently released on 17th January, 2005 by Angel Air Records. Also, soon to be released by Hux Records is Deke Leonard WIRELESS - a collection of live radio shows recorded during the 70s including John Peel session……….
An example of a somewhat short-lived genre from the early 1970s, one that translated well in the States. PubRock was very big in the UK – it was basic stripped-down/no-frills Rock n’ Roll, concentrating on upbeat numbers that appealed to the Pub audience. Unlike a lot of bars in the U.S., Pubs were larger gathering spots, with the same amount of drinking as their American counterparts, but with the extra added bonus of floor space; not only for dancing but large enough to accomodate a band.
The genre spawned a lot of successful groups during that time. Among them were Help Yourself, Bees Make Honey, Ducks Deluxe and a Welsh outfit; Man who, at various times had Deke Leonard on vocals and guitar.
For this concert, Deke had left Man and formed his own band, Iceberg. He was in the midst of promoting his debut album and those songs are featured prominently in this 30 minute set. Ironically, the second band on the bill (not featured tonight, but will another night) is his former band, Man. Ironically, Deke Leonard would re-join Man a little over a year later, while still balancing his solo career.
Man (and Iceberg) were very popular in the U.S. and toured here often. As huge fans of Quicksilver Messenger Service, they enlisted the services of the great John Cippolina at one point to sit in on some of their tours and eventually record with them.
Sadly, nothing ever lasts and Man dissolved towards the end of the 70s. Deke Leonard re-formed Iceberg frequently over the ensuing years.
But tonight it’s a concert during that halcyon period featuring Deke Leonard’s Iceberg. Recorded by BBC Radio 1 for the In Concert Series on October 27, 1973.
You might want to grab a Guinness or Newcastle Brown and crank this one up. The weekend is coming up rather soon. ……………..
01.Razorblade & Rattlesnake 6:34 02.7171 551 8:04 03.A Hard Way To Live 3:06 04.In Search Of Sarah And 26 Horses 10:46 Man 05.Cmon 15:08 06.Bananas 13:52 07.Romain 10:20
Line-up Deke Leonard’s Iceberg Deke Leonard - Guitars, vocals Brian Breeze - Guitar Martin Ace - Bass, vocals Dave Charles - Drums, vocals Man Micky Jones - Guitar, vocals Phil Ryan - Keyboards, vocals Will Youatt - Bass, vocals Tweke Lewis - Guitar Terry Williams - Drums
Discography ・Man Revelation (Pye NSPL18275) 1969/1 2ozs. Of Plastic With A Hole In The Middle (Dawn DNLS3003) 1969/10 Man (Liberty LBG83464) 1970 Do You Like It Here Now? Are You Setting In ? (United Artists UAS29236) 1971/11 Live At The Padget Rooms Penarth (United Artists USP100) 1972 Rhinos, Winos & Lunatics (United Artists UAG29631) 1974/5 Slow Motion (United Artists UAG29675) 1974/10 Maximum Darkness (United Artists UAG29872) 1975 The Welsh Connection (MCA MCF2753) 1976/3 All’s Well That Ends Well (MCA MCF2815) 1977
Friday The 13th (Picasso PIK001) 1983 ※83年6月マーキーでのライブ Live At Reading ’83 (Raw Fruit FRSCD010) 1983 ※83年8月のライブ The Twang Dynasty (Road Goes On Forever RGFCD1003) 1992 Live 1994 – Official Bootleg (The Welsh Connection TWCCD1) 1994 Call Down The Moon (Hypertension HYCD200 154) 1995 At The Star Club (Krucker 28765/66-2) 1998 Endangered Species (Evangeline GEL4001) 2000/6 Down Town Live (Altrichter Music AM310559) 2002 Undrugged (Point PNTVP121) 2002/5
・Help Yourself with Deke Leonard/The Jets Christmas At The Patti/V.A. (United Artists UDX205/6) 1972 ※72年のオムニバス・ライブ
・Deke Leonard’s Iceberg BBC Radio 1 Live In Concert (Windsong WINCD045) 1993 ※Manとのカップリング/73年のライブ Wireless (HUX HUX064) 2005/3 ※72年のラジオ・セッション集
・The Force The Force(Zilch 2374 195) 1982 ※Germany
<solo> Iceberg (United Artists UAG29464) 1973 Kamikaze (United Artists UAG29544) 1974 Before Your Very Eyes (United Artists UAG30240) 1979 Unfinished Business (TWC ) 1994 ※70年代のデモ音源集 Freedom And Chains (Angel Air SJPCD197) 2002
<solo singles> Diamond Road/Circles And Squares (United Artists UP35494) 1973 Nothing Is Happening/She’s A Cow (United Artists UP35556) 1973 ※demo only A Hard Way To Live/The Aching Is So Sweet (United Artists UP35556) 1973 Louisiana Hoedown/She’s A Cow (United Artists UP35668) 1974 Map Of India/Hey There ! – Lady In The Black Tuxedo (United Artists UP36488) 1979
<session> Yachtless/Tyla Gang (Beserkley BSERK11) 1977/10 The London R & B Sessions/V.A. (Albion DAL2) 1980/2 ※79年11～12月ライブ The Last Stroll/Walter Egan (Edge HOG3) 1981 Seashell/The Flying Aces (Point PID 36172) 2001 ※未発表音源