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Saturday, 19 May 2018

Marcelo “Marcelo” 1978 Brazil Latin Soul Funk gem


Marcelo “Marcelo” 1978 Brazil Latin Soul Funk gem
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Credits 

Backing Vocals – José Luiz (2), Luna (68), Marcio Lott, Regininha 
Electric Bass – Jamil Joanes 
Electric Piano, Piano – Gilson Peranzzetta 
Engineer – Dacy Rodrigues 
Lacquer Cut By – Osmar Furtado 
Lead Guitar – Sergio Dias 
Pandeiro – Dazinho 
Percussion – Ariovaldo*, Dazinho, Hermes (6) 
Rhythm Guitar – Claudio Stevenson 
Synthesizer [Arp] – Eduardo Souto Neto 
Synthesizer [Moog] – Zé Roberto* 
Twelve-String Guitar – Marcelo (2), Tavito


Tracklist 
A1 Tempo De Estio 2:45 
A2 Brasa Dormida 2:37 
A3 Som Moleque 2:51 
A4 Melô Da Estudante 3:32 
A5 Jeitinho 2:35 
A6 Festa No Céu 2:23 
B1 Selim De Bicicleta 3:30 
B2 Um Sonho 4:35 
B3 De Fogo, Luz E Paixão 3:10 
B4 Brasa Do Sol 2:55 
B5 Algo No Ar 2:45 
B6 A Palavra 1:41

Dom Salvador E Abolição "Som, Sangue E Raça"1971 Brazil Latin Funk,Latin Jazz,Samba Jazz,Samba Soul,MPB


Dom Salvador E Abolição  "Som, Sangue E Raça"1971 Brazil Latin Funk,Latin Jazz,Samba Jazz,Samba Soul,MPB 
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full spotify

https://open.spotify.com/album/6D52C2o93yMKyXqOiXRd3A






Ziggy Marley “Rebellion Rises” 2018 Jamaica Reggae new album released 18-05-2018


Ziggy Marley “Rebellion Rises”  2018 Jamaica Reggae new album released 18-05-2018 
Ziggy Marley ” Rebellion Rises” (Official Lyric Video) on vimeo
https://vimeo.com/263177874

full spotify

https://open.spotify.com/album/6dIsQaRQ8brUZkbI4TiZpm

full discography on spotify

https://open.spotify.com/artist/0o0rlxlC3ApLWsxFkUjMXc

official website

http://ziggymarley.com/


“The better side of humanity, cannot let the side of humanity that push negativity and hatred be more willing,” Marley explained in a recent interview. “It cannot happen. It’s a battle of wills. We’ve got to have more will.” …..~


On his 2016 eponymous album, reggae star Ziggy Marley’s songwriting moved away from personal themes to political ones, calling for love and unity in the face of conflict across the world. This follow-up was recorded with global tensions higher than ever—which has seemingly only strengthened his belief in the power of positivity. Absorbing musicianship lessons he says he learned while working on the reissue of his father’s Exodus album in 2017, the Marley scion seeds rebel spirit into uplifting and fiercely melodic reggae, dismissing politicians with a stirring blast of horns on “See Dem Fake Leaders,” allowing piano and acoustic guitars to lead equality anthem “I Am a Human,” and championing solidarity over the title’s track’s sharply funky groove…..~


The oldest son of reggae legend Bob Marley and his wife Rita, Ziggy Marley was the natural heir to the throne left vacant by his father’s untimely death in 1981. Along with backing band the Melody Makers, a unit comprising his brothers and sisters, he successfully carried on the tradition of communicating the music’s message to a growing global audience, even scoring a U.S. Top 40 single in the process – a claim neither of his parents could make. Born David Marley in Kingston, Jamaica on October 17, 1968, he received guitar and drum lessons from his father, and began sitting in on Wailers recording sessions at the age of ten. In 1979, Ziggy, his sister Cedella, brother Stephen, and half-sister Sharon all joined Bob in the studio to record the single “Children Playing in the Streets.” Christened the Melody Makers, the four siblings continued playing together at family events, and even performed at their father’s state funeral. 

Marley was not even 17 when he and the Melody Makers issued their EMI debut LP, Play the Game Right. The burdens of becoming a second-generation star weighed heavily on the youth – who looked and sounded almost eerily like his father – and he allowed the record and its 1986 follow-up, Hey World!, to veer closely toward pop music, resulting in derision from reggae purists. Poor sales, combined with EMI’s public desire to market Ziggy Marley as a solo act, prompted Marley & the Melody Makers to jump to the Virgin label, where they entered the studio to record their masterpiece, 1988’s Conscious Party. Produced by Talking Heads’ Chris Frantz and Tina Weymouth, the album was both a critical and commercial smash, with the single “Tomorrow People” reaching number 39 on the pop charts. The follow-up, 1989’s One Bright Day, continued the Melody Makers’ artistic growth; it was also their best-selling effort to date, cracking the Top 20 and, like its predecessor, winning a Grammy. 

Marley & the Melody Makers resurfaced in 1991 with Jahmekya, another assured and creative effort. It sold well, edging into the Top 20, but failed to generate much radio or video airplay. Released in 1993, Joy and Blues barely charted, despite adding elements of contemporary dancehall (a showcase for Stephen’s rapping skills). The latter record was the Melody Makers’ last release for Virgin, and they moved to Elektra for 1995’s Free Like We Want 2 B. Fallen Is Babylon followed in 1997, and scored a third Grammy. Like his father, Marley eventually emerged as a leading political voice, and was named a Goodwill Youth Ambassador for the United Nations; at home in Kingston, he also founded his own record label, Ghetto Youths United, created to spotlight the next generation of reggae talent. 

In addition to the four siblings in the Melody Makers, three other Marley children – Damian, Julian, and Ky-Mani – also pursued careers in music. The music continued into the new millennium, as Marley released Ziggy Marley & the Melody Makers Live, Vol. 1 in fall 2000. Without the Melody Makers, Dragonfly was released as his first official solo album in 2003, but its 2006 follow-up, Love Is My Religion, was the one with the hit, as the album’s title track put Ziggy back on reggae radio throughout the globe. His 2009 effort, Family Time, was a charming children’s album, while 2011’s Wild and Free returned to the socially conscious reggae that launched his career. In 2012, he released his first comic book featuring the hero Marijuanaman, and followed it in 2013 with the live album In Concert. The diverse Fly Rasta followed a year later and featured a Melody Makers reunion thanks to guest appearances from Erica Newell plus Sharon and Cedella Marley. The album won Best Reggae Album at the 57th Grammy Awards. In 2016 he returned with his sixth solo – but first self-titled – album, which featured the single “Weekend’s Long.” Returning in 2018, Marley’s self-produced seventh album, Rebellion Rises, was directed toward themes of activism and social change. ~ Jason Ankeny….~


Eight-time Grammy Award-winning musician Ziggy Marley will release his seventh full-length solo studio album, Rebellion Rises, on May 18 through Tuff Gong Worldwide and it will be distributed in Jamaica and the Caribbean by Tuff Gong International. 
Fully written, recorded and produced by Marley, this new collection of music encourages people to stand together in activism through love. 
“The rebellion begins in the mind, the melody, and the music,” assures Marley. “We are a conduit of that. The rebellion is consciousness. Now the consciousness starts spreading, we become aware and we rise.” 
No track embodies this message better than the album’s title track and official first single Rebellion Rises. The song encourages its listeners to use the power humans have as instruments of positive change around the world. 
“The better side of humanity cannot let the side of humanity that push negativity and hatred be more willing,” Marley explained in a recent interview. “It cannot happen. It’s a battle of wills. We’ve got to have more will.” 

Rebellin Rises marks Marley’s first studio release in two years, following 2016’s critically acclaimed self-titled project which took home the 2016 Grammy for Best Reggae Album and marked his fourth consecutive debut at #1 on the Billboard Top Reggae Album Chart. Digital pre-orders will be available starting today. All digital pre-orders will include an instant free track of Rebellion Rises, which is also now available for streaming on Spotify, Pandora and Apple Music. 
This June, Marley will embark on the first leg of his North American tour with stops in a number of west coast markets including Napa, Seattle, Portland, and San Francisco. The tour will then make its way to Europe beginning June 29 where it opens in Legnano, Italy……~


Finding a connection to all humanity, it is a battle for love and peace, rising above the chaos. Absorbing that for a moment, the 8-time Grammy winning Ziggy Marley’s Rebellion Rises is set to drop through Tuff Gong Worldwide on Friday, May 18, 2018. 

Immersion in music from an early age has created a humanitarian, writer, musician, and artist that has crossed cultures and generations. Marley’s first children’s album, Family Time, won a Grammy Award for “Best Children’s Album” in 2009, while another children’s book, I Love You Too, earned the artist a 2012 Daytime Emmy for a special sharing the same name. Now, a battle-cry in Rock/Reggae style, Marley’s seventh studio album is also his first release in two years following 2016’s self-titled solo effort, which won Grammy gold for “Reggae Record of the Year.” 

This time around, the backstory for the 49-year-old’s latest began when his solo career created an opportunity to channel the soul of his father, now blending in Rock sensibilities after working with Flea and John Frusciante of Red Hot Chili Peppers on “Rainbow In the Sky” from 2003’s DragonFly. He also worked with Chris Frantz and Tina Weymouth of the Talking Heads with Ziggy Marley and The Melody Makers, and exposure to this is reflective in the groove created on this record. Rebellion Rises was written, recorded, and produced by Marley, who, surrounded by the power of the family and the ideology he was brought up with, shaped a musical revolution onto record. 

The method for delivering the message may change, but the solutions Marley offers up stay the same regardless of the artist’s medium. On Rebellion Rises, from the opening notes of “See Dem Fake Leaders,” it is obvious this is a political slasher-fest. The beauty here is the message. Now a father of four, Marley is pushing back in the name of love and unity; while fear might permeate every aspect of humanity, love can conquer all. A man of not just words but also action, Marley’s foundation U.G.R.E. (Unlimited Resources Giving Enlightenment) connects communities with children in need of help. 

Contrary to Childish Gambino and his message that has brilliantly exploded thanks to a video for “This Is America,” directed by Hiro Murai and produced by Jason Cole, this is a revolution that will smash together each belief system and arrive at a truth. Then there is “Storm Is Coming” with its lilting attempt at illumination, a call to batten down the hatches. Placing a lyrical focus on the earth and its destruction, this is a trip set to soaring guitar; placing Marley’s talents in the spotlight and offering up some great guitar-work to punctuate the message. 

Following it up with “World Revolution,” this cut is Marley at the songwriter’s finest. Putting the spotlight on the generations to follow, each illusion of chaos created by political, social, and religious institutions take all the lies and toss them out into a pile. Listeners can sort out their own truths, but Marley suggests that to build that wall of positivity, leave the crap behind. 

It would not be very hard to argue the point that humanity has forgotten what commonality and common decency are. Nearly halfway through the ten-song album, “Your Pain Is Mine” soars with this emotional connection; black or white, our skin color really should be irrelevant in a perfect world. Life is tough enough and this cut is a burden shared in song. Another link, “Change Your World” is a flashback to “Is This Love” by Bob Marley from his 1978 release Kaya, possibly the most influential Reggae love song, also released through Tuff Gong. Now set to take his place alongside his legendary father, this track could change listeners into Ziggy Marley lovers, provided they have not already been touched by the magic. 

Met with horns right off, “I Will Be Glad” is a celebration set to music. Simple and soothing, the truth is sung in a chorus of love, blessing listeners; this is beautifully simple, authentic vocals with hope the underlying wave. Following with “High On Life,” this cut is like sunrise at the ocean, its spiritual essence an undeniable rhythm; positivity breeds positivity. Feel the Jamaican sway of the ocean breeze with its salt air and crashing waves; it is here, alive in the music. 

The final three songs are a call to action: a coming together for dreams to come true set to a calypso beat with kettle drums and spoken word. With its message of peace, togetherness, and strength in numbers, there is a reason this album is called Rebellion Rises after all. Driving that point home, “I Am A Human” picks apart every reason society gives for wars, conflict, and social injustice. Musically rich instrumentation does not overshadow the message; rather each piece fits together, working perfectly to create a beautiful tapestry of sound. Stunning to the ears of this listener, this is a cut above the rest in its battle-cry of peace and love. 

Closing out, the title-track “Rebellion Rises” is a Pied Piper call to positive action; a collective conga line with reverb and bongos, simple statements to battle hate with love. Ziggy Marley is a humanitarian musician on a mission here: believing that love is a connective tissue and positivity will conquer all, as it will always spread faster than fear or hate. Starting with children and grooving up through the ages, love is the answer. 

Politically and socially relevant, Rebellion Rises is a war of music, creating peace with a purpose. For this, CrypticRock gives Ziggy Marley’s Rebellion Rises 5 out of 5 stars….Cryptic Rock….~


Tracklist: 
01. See Dem Fake Leaders 
02. The Storm Is Coming feat. Gideon Marley 
03. World Revolution feat. Samuill Kalonji 
04. Your Pain Is Mine 
05. Change Your World 
06. I Will Be Glad 
07. High On Life 
08. Circle Of Peace feat. Stephen Marley 
09. I Am A Human 
10. Rebellion Rises

Rudy Romero “To The World” 1972 (feat George Harrison) US Classic Rock,Pop Rock


Rudy Romero “To The World” 1972 (feat  George Harrison)  US Classic Rock,Pop Rock
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The only album of a musician from California, in which George Harrison played four tracks … in the early 60’s Rudy Romero played in the group “The Hard Times” together with the future guitarist “Steppenwolf” Larry Bayrom, after which he started a solo career, the label “ Tumbleweed Records Inc. ” spent a lot of money on recording his solo album, but unfortunately he did absolutely nothing to promote it and so the album went unnoticed by a wide audience of listeners….~


“It has long been rumored that George Harrison appears on this album. In "Behind Sad Eyes: The Life of George Harrison” by Marc Shapiro, he includes it in his Harrison discography: “George played guitar on the songs Lovely Lady, Nothin’ Gonna Get You Down, and Doin’ The Right Thing. He sang on the song If I Had Time.”….~


“Like all Tumbleweeds, this pop/singer-songwriter LP has an interesting background story. Romero was a talented member of San Diego 1960s band the Hardtimes who did an LP for World Pacific in 1968 (recently reissued). Apparently having relocated to Los Angeles this was his first solo effort, and it features a little-known guest appearance by none other than George Harrison, who plays guitar and sings backing vocals on four tracks. Whether George’s presence was the reason is unknown, but this LP was also released in England as Tumbleweed 3304. In typical fashion the artwork was extravagant, with a diecut cover and a white vinyl pressing.”…Lysergia….~



Credits 
Acoustic Guitar, Vocals, Arranged By, Written-By, Composed By – Rudy Romero
Backing Vocals – Clydie King (tracks: A3, B9), Lee Kiefer (tracks: A1, B7, B8), Venetta Fields (tracks: A3, B9) 
Bass – Bryan Garofalo (tracks: A1 to A5, B6, B8 to B10) 
Cello – Jesse Ehrilich* 
Congas – Joe DeAguero (tracks: B6) 
Drums – Warren (Bugs) Pemberton* 
Electric Guitar [Rhythm], Rhythm Guitar [Electric] – Rudy Romero (2) (tracks: A3) 
Engineer [Assistant], Recorded By [Assistant] – Mike Stone 
French Horn – James M. McGee* 
French Horn [1st] – Art Maebe 
French Horn [Solo] – William Hinshaw 
Keyboards – Peggy Sandvig (tracks: A1, B6), Ralph Schuckett (tracks: A2, A4, A5, B8 to B10) 
Lead Guitar – John Ussery (tracks: A1 to A3, A5, B6, B9, B10), Rudy Romero (2) (tracks: A2, A4) 
Percussion – Lee Kiefer (tracks: A3) 
Trombone – Harold Diner 
Trombone [Bass] – Robert M. Knight* 
Trumpet – Ollie Mitchell 
Trumpet [1st] – Dalton Smith 
Vibraphone [Vibes] – Joe DeAguero (tracks: B6, B7) 
Violin – Ralph Schaeffer, William Kurasch 
Violin [1st] – Sidney Sharp



Tracklist 
A1 If I Find The Time 3:24 
A2 Lovely Lady 2:43 
A3 Nothin’ Gonna Get You Down 4:01 
A4 Love Comes (When It Wants To Anyway) 4:41 
A5 You Used To Be So Light 4:38 
B6 Doin’ The Right Thing 4:14 
B7 Anyway We Can 4:36 
B8 Simple Things 3:51 
B9 Level Out 3:40 
B10 To The World 5:03 

Robertinho De Recife ‎ “Jardim Da Infância"1977 Brazil Psych Prog


Robertinho De Recife ‎ “Jardim Da Infância"1977 Brazil Psych Prog
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Underrated guitarist and great Brazilian progressive folk psych album, astounding very difficult to find …~


Robertinho from Recife, without a doubt, was one of the Brazilian guitarists most wronged by the public, by critics and especially by record companies. Throughout his career he has done everything a little, accompanied several big names of MPB, went through a heavy stage, formed the "Bunda”, oops, I say, band Yahoo (with the obvious intention of putting some change in the pocket), in short, the guy is “cascudo” and today he is a music producer, arranger and apparently he does not even think about returning to the stage (sorry). 
This inaugural work has everything and more and is the proof of this irremediable injustice. Robertinho manages to mix and master Brazilian rhythms with Jazz and Jazz-rock, is a true feat in terms of arrangement, composition and performance. It is of a beauty, complexity and exemplary technical and artistic competence. 
Pay attention to the “Call” song, the fusion of Brazilian sound with the most genuine Mahavishnu jazz-rock is magnificent. The perfect integration of the cello, the acoustic bass, the trumpet with the guitar and the Portuguese guitar is the work of those who know things. Others that impress are “Signs”, “Dangerous Age”, “Ao Romper D'Alva” and “Agrestina”. 
Fagner was the producer of this piece of music and chose the musicians who participated in this work, with Chico Batera, Marcio Montarroyos, Sivuca, Itiberê, Jamil Joanes, Nivaldo Ornellas, Wagner Tiso and many others…..~


Starts off somewhat underwhelming, but soon becomes increasingly more “weird,” revealing itself by the third track to rank among the pinnacles of Brazilian psychedelia: a work that is dizzily joyous and quite unpredictable, offering long stretches of West Coast acid rock a la Santana, passages of delicate, spiritual folk, touches of ethnic “exotica”, and lots more to boot. Plus it was led by a guitarist who was just 12 years old!…Phallus Dei …..~


Robertinho from Recife, without a doubt, was one of the Brazilian guitarists most wronged by the public, by critics and especially by record companies. Throughout his career he has done everything a little, accompanied several big names of MPB, went through a heavy stage, formed the “Bunda”, oops, I say, band Yahoo (with the obvious intention of putting some change in the pocket), in short, the guy is “cascudo” and today he is a music producer, arranger and apparently he does not even think about returning to the stage (sorry). 
This inaugural work has everything and more and is the proof of this irremediable injustice. Robertinho manages to mix and master Brazilian rhythms with Jazz and Jazz-rock, is a true feat in terms of arrangement, composition and performance. It is of a beauty, complexity and exemplary technical and artistic competence. 
Pay attention to the “Call” song, the fusion of Brazilian sound with the most genuine Mahavishnu jazz-rock is magnificent. The perfect integration of the cello, the acoustic bass, the trumpet with the guitar and the Portuguese guitar is the work of those who know things. Others that impress are “Signs”, “Dangerous Age”, “Ao Romper D'Alva” and “Agrestina”. 
Fagner was the producer of this jewel and he chose the musicians who participated in this work, which includes: Chico Batera, Marcio Montarroyos, Sivuca, Itiberê, Jamil Joanes, Nivaldo Ornellas, Wagner Tiso and others. 
The file contains the cover, back cover and insert with the complete technical sheet and individualized by songs….~


Considered a Guitar Hero and one of the best guitarists in Brazil, his trajectory in the universe of popular music enshrines him as a professional of multiple talents and initiatives. He began to play as a boy, and was soon appointed as a prodigy guitarist. At age 12, already considered a virtuoso, he played with his feet. Still as a seminary student, he studied sacred music. In the late 1960s, he accompanied some Young Guardian idols, such as Rosemary and Jerry Adriani. He played in pop bands in the United States and also in the transatlantic Rosa da Fonsêca in cruises along the Brazilian coast, being requested in modalities such as blues, jazz and country. In the period when he was a studio musician, he played radically different styles when accompanying artists such as Jane Duboc, Agnaldo Timóteo, Cauby Peixoto, The Fevers and Hermeto Pascoal. Other modalities that also touched include heavy metal and children’s music. On the occasion of the release of his disc “Rapsódia Rock”, in 1990, was presented dressed of Mozart playing classics. On April 26, 1985, Robertinho, along with his band, MetalMania, opened a show for the American band Quiet Riot in São Paulo. The same happened in Rio de Janeiro and Porto Alegre and also with the English of Deep Purple. In 1988, Robertinho de Recife recorded an album with the band Yahoo, of which he was the guitarist. Successes like “Love Bite” (version of the song Love Bites, of the British band Def Leppard). Robertinho de Recife had the culmination of his career in the 70’s and 80’s and later devoted himself to producing art, having produced more than 300 albums by many record companies and independent labels, such as Nelson Gonçalves, Angelica, Elba Ramalho, Xuxa , Geraldo Azevedo, Zé Ramalho and Raimundo Fagner, among others. As a guitarist, Robertinho de Recife has participated in concerts or recorded with several international artists such as: George Martin Producer of the Beatles, Watchpocket, Stanley Clarke, Andy Summers (The Police), Deep Purple (when he was in Brazil), Stewart Copeland (The Police), Quiet Riot, Steve Cropper, Miami Sound Machine, John Lee Hooker, Cassandra Wilson, Simon Kirke (Free), Bonnie Ratt, Arto Lindsay, Taj Mahal, Gilles Martin, Dr. John and the Night Tripper and Candy Shoes String. Among the national artists he has recorded are: Yahoo (in which he was a founding member), Xuxa, Geraldo Azevedo, Zé Ramalho, Raimundo Fagner, Hermeto Pascoal, Sivuca, Elba Ramalho, Amelinha, Lenine, Luis Melodia, Dominguinhos, Zeca Baleiro, Luís Caldas, Frank Solari, Moraes Moreira, Orlando Morais, Lulu Santos, Martinho da Vila, Marisa Monte, Gal Costa, Tânia Alves, Pepeu Gomes, Wagner Tiso, José Augusto, Agnaldo Timóteo, Elymar Santos, Rosanna, among others. In addition to the episode of the Chicago band’s invitation to play with them, he played in several international bands such as Watch Pocket, with his band METALMANIA, divided the stage with several international attractions like: Quiet Riot, Deep Purple, and in 2015 returned to stage with the new Metamania and opened the show Judas Priest, Accept, and also made a special participation in the presentation of the band MANOWAR at MONSTER’S OF ROCK 2015 in São Paulo. Some songs: Metal Mania (1985), Fantasia Preto e Prata (1985) Be My Heaven (1981), The Elephant (1981), Guitarist Talk (1982), Nocturnal No. 10 (1990), Transcendental Icaro (1992), Tutan-kamon (1993), Poliposition (1992), Bite of Love (1988 with Yahoo), Flower of the Landscape (1977, with Raimundo Fagner) and others. Robertinho of the World (1983) Robertinho of Recife and Emilinha (1982) Satisfaction (1981) Crazy Swings Tropical (1979) Robertinho in the Step (1978) Kindergarten (1977)….~


The first guitarist from Recife PE to achieve national success, Robertinho do Recife had quite an adventurous career (having played with Watch Pocket) before settling down as a renowned and successful producer in his own studio in Rio de Janeiro, where he produced performers such as Elba Ramalho, Geraldo Azevedo, and Zé Ramalho. As a session musician he worked with different movements represented by performers such as Jerry Adriani, Cauby Peixoto, Jane Duboc, Os Fevers, Rosemary, Hermeto Pascoal, and Fagner, among many others. He recorded eight solo albums from 1977 to 1990. After having been run over at age ten, do Recife had his femur fractured and had to stay at home, where he saw the Beatles and the Rolling Stones on TV. Impressed by the music and especially by the guitars, he insisted that his father buy one. The first group he joined was Os Príncipes, and the first band he formed (at age 12) was Os Ermitões, while he also performed in the Éforos. At 15, he was hired as guitarist for a cruise ship traveling to Rio. From there he went to São Paulo, looking for his uncle who played at the Stardust, the nightclub of Lanny Gordin’s father. After that season he returned to Recife, where he played in several bands that were into Tropicália, Os Mutantes, and the Beatles, like Bambinos and Os Moderatos, which had its own show at the local TV station, Jornal do Commércio. When he was playing in the LSE, Arto Lindsay and Carl Kolb were in the audience. After that, do Recife played in the Contribution. In the early ‘70s, when do Recife was 16, he was invited by Carl Kolb to join the country music band, Candy Show String, from Mississipi. Soon after that he joined Memphis’ Watch Pocket, who had had the international hit “Mammy Blue.” He stayed with the band for nearly two years, until his visa expired. In 1973 do Recife returned to Recife, and in the next year, became Fagner’s musician, recording Raimundo Fagner (1976), soon followed by his own first solo album, Jardim de Infância (1977). Depressed by the death of his second son and determined to abandon music, do Recife refused an invitation to join Chicago after its Brazilian percussionist Laudir de Oliveira suggested his name. At Fagner’s insistence, he participated in his Quem Viver Chorará (1978), on the track “Revelação.” The song became a hit and he started to get invitations. Soon he had his own national hit with “O Elefante.” After several commercial works like the pop band Yahoo, do Recife built his own studio in Rio de Janeiro RJ, where he produced all kinds of works, including his fellow citizens Elba Ramalho (“Flor da Paraíba”) and friends Geraldo Azevedo and Zé Ramalho, keeping a low profile. ~ Alvaro Neder….~





Credits 
Accordion – Sivuca (tracks: A3; A5; B3; B4) 
Acoustic Bass – Luiz Alves 
Acoustic Bass, Bass – Itibere Zwarg (tracks: A3;B1; B2; B4) 
Acoustic Guitar – Geraldo Azevedo (tracks: A1; B1) 
Autoharp – Neusa (tracks: A5) 
Bass – Jamil Joanes (tracks: A4; ) 
Bass, Acoustic Guitar – Herman Torres (tracks: A1; A2; B2 to B4) 
Bassoon – Airton Barbosa (tracks: A5) 
Cello – Jackinho (tracks: B1) 
Drums – Israel (tracks: A1; A2) 
Drums, Percussion – Chico Batera (tracks: A2; A4; B1; B2; ), Paulinho Braga (tracks: A3; B1; B2; B4) 
Flute, Soprano Saxophone – Nivaldo Ornelas (tracks: B2; B4) 
Guitar, Portuguese Guitar, Steel Guitar, Sitar, Viola, Manola, Vocals, Producer,
Harmonica – Macarrão (tracks: A2) 
Percussion – Ceará (tracks: A1; B3; B4), Sérgio Boré (tracks: A1 to B1; B3; B4) 
Piano – Wagner Tiso (tracks: A5) 
Trumpet – Marcio Montarroyos (tracks: A1; A3; B1; B2; ) 
Vocals – Amelinha (tracks: B2; B4) 
Vocals, Producer – Raimundo Fagner (tracks: B1; B2)


Tracklist 
A1 Frevo Dos Palhacos
A2 Jardim Da Infância
A3 Sinais
A4 Idade Perigosa
A5 Romper D'Alva
B1 Chamada
B2 Acalanto Para Um Punhal
B3 Agrestina
B4 Cor De Rosa, Dor Do Amor

Discografia solo 
Back for More (2014)
Rapsódia Rock (1990) 
Metalmania (1985) 
Robertinho do Mundo (1983) 

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